我就问你正常吗?

《我就问你正常吗？》荒谬大师沈玉琳VS.知性作家于美人，首次联手主持！双方展现犀利又幽默的独特主持风格引爆辛辣话题！

西出玉门

该剧根据尾鱼的同名小说改编。讲述了“沙漠玫瑰”叶流西（倪妮 饰）与“智勇沙獠”昌东（白宇 饰），一个为了解开身世之谜，一个为破解过往真相，两人联手深入奇幻世界探险的故事。

性爱自修室 第四季

随着莫戴尔中学的关闭，奥蒂斯和埃里克现在面临着新的挑战 — 迎接他们在卡文迪什第六学院的第一天。奥蒂斯担心能否成功建立新诊所，而埃里克则祈祷他们不会再次成为失败者。但对所有莫戴尔中学的学生来说，卡文迪什都是一种文化冲击 — 他们自认为进步开明，但这所新学院达到了另一个层面。这里的社区花园有每日瑜伽，有强烈的可持续发展氛围，还有一群因为…善良而受欢迎的孩子！小薇完全被这个学校以学生为主导的非竞争教学方式所折服，而杰克逊仍在努力忘记卡尔。艾梅选择了 Art A Level 课程，想要尝试一些新的东西，而亚当则在纠结主流教育是否适合他。美国这边，梅芙在著名的华莱士大学实现着她的梦想，师从异教作家托马斯·莫洛伊。奥蒂斯非常想念她，同时适应着自己不再是家中独子，也不再是校园里唯一的治疗师······

河神·诡水怪谈

故事讲述了天津卫五河捞尸队的水上警察郭得友与师弟丁卯在酒肉和尚李大愣的撺掇下一同探查三岔河口沉尸案，经历了魏家坟探鬼楼、阴阳河仙指路、恶狗村捉妖，最终抓住幕后真凶的故事。

纽约客

纽约。短篇小说作家Sam（乔什·拉德诺 Josh Radnor 饰）在见出版商的地铁上认识了一个小男孩Rasheen，他和家人走丢了。Sam了解到Rasheen原来是个寄养的孩子，但他现在不想回去原来寄养的那个家庭，Sam只能把他留在家里。在酒吧里，Sam认识了女歌手Mississippi（凯特·玛拉 Kate Mara 饰），他把她带回家......Sam最好的朋友Annie（玛琳·阿克曼 Malin Akerman 饰）始终与前男友纠缠不清，而同事Sam二号则热烈地追求着她。Sam的另一个好友Mary Catherine（佐伊·卡赞 Zoe Kazan 饰）则和深爱着的男友Charlie陷入了深深的矛盾：Charlie的朋友Dave想让他到洛杉矶一起做生意，需要他们搬家到洛杉矶，但Mary并不想离开纽约......

卡斯特纳与小星期二

故事发生在1929年的德国柏林。埃里希（弗洛里安·大卫·菲茨 Florian David Fitz 饰）是一位小有名气的作家，创作过很多脍炙人口的作品。一天，一个名叫汉斯（尼科·拉莫·克莱曼 Nico Ramon Kleemann 饰）的小男孩出现在了埃里希的家门口，他告诉埃里希自己是他的超级粉丝。 刚开始，埃里希对于汉斯的存在并没有太过在意，但随着时间的推移，他发现这个脑袋里充满了奇思妙想的男孩能够成为自己创作的灵感来源。在埃里希的推荐之下，汉斯也得到了一个在电影里扮演角色的机会，一来二去之间，一老一少两人结下了深厚的友谊。二战爆发了，纳粹的铁蹄踏破了埃里希和汉斯的宁静生活。

球迷达人

出品单位:北京银河星光文化传播有限公司、上海天碟影...本片拍摄于2010年夏，正逢四年一度的世界杯期间，片中以一小批年轻球迷作为代表，为了表达他们对足球的热爱之情，他们去参加了一个专门针对球迷开办的电视比赛活动。他们表面上都鄙视着自己国家的球队，但内心对其却十分的痛爱，也体现出了当今的中国球迷对中国足球有着一种恨铁不成钢的无奈。而本片的男女主角代表了当今中国社会80后年轻人的两种阶级与现状，穷二代与富二代。穷二代为了生存，为了买房结婚、为了赡养父母而奋斗。而富二代为了家族企业、为了证明自己的能力，为了体现自身价值而努力。也体现了在中国目前不健全的体制下，年轻一辈的无比艰辛与无奈，但是虽说如此，中国的年轻人仍旧保有一种乐观并且积极向上的生活态度。

不安分的年轻人们

Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy...　　　　Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time.　　　　Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958.　　　　Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading.　　　　Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.

东方快车谋杀案 Murder on the Orient Express[电影解说]

1930年，纽约发生了一起骇人听闻的绑票撕票案，主谋卡塞蒂携赎金逍遥法外。 5年后，侦探赫丘里·波罗（艾伯特·芬尼 饰）乘船渡过博斯普鲁斯海峡，并在朋友比安奇（马丁·鲍尔萨姆 饰）的安排下登上东方快车，去往伦敦。一日凌晨，波罗被隔壁10号包间的叫声惊醒。随后，因雪堆掩埋铁轨，列车被迫停于南斯拉夫境内。波罗再次睡下不久，又被吵嚷声惊醒。贵妇哈里特·贝琳达·哈伯德（劳伦·巴考尔 饰）声称10号包间的富翁雷切特（理查德·威德马克 饰）潜入了自己的11号包间。天亮后，雷切特的管家贝多斯（约翰·吉尔古德 饰）端来了饮料，却敲不开10号包间的门。列车员皮埃尔·保罗·米歇尔（让-皮埃尔·卡塞尔 饰）用钥匙开了锁，但是里面挂了门链。波罗与皮埃尔合力扳开门，发现雷切特口角流血死不瞑目。经医生康斯坦丁（乔治·库鲁里斯 饰）检查，雷切特被下了药，身中12刀，死亡时间为0点至2点间……

玉楼三凤

作家彭梅芬与徐曼丽、赵淑娴同往一屋，情如姊妹。娴数年前遭前夫陆飞鸿抛弃，独力照顾卧病在医院的儿子；鸿浪子回头，娴坚拒复合。丽倾慕新加坡笔友郑大江，对追求者李家华不瞅不睬。江抵港后，爱的是芬；芬却是曾经苍海，竭力回避。芬往青山小住，江、丽、华先后为所爱的人追往青山。芬终为江打动，丽目睹二人拥吻，疾奔而去时给华的车子撞倒。各人在医院碰头，丽终接受华，娴亦为了儿子原谅鸿。

惊情

故事发生在20世纪民国年间，镖师关宁（焦恩俊 饰）与水云（苗圃 饰）真心相爱。因意外水云腹中胎儿不幸夭折，并从此不能生育，为传宗接代关宁找了另一个能为其延续香火的女人罗玉（王宇婕 饰），万念俱灰的水云回到了水云寨。师爷（于东江 饰）是关宁最信任的幕僚，但他却是个见利忘义的小人，为窃取国宝不惜嫁祸出生入死的兄弟高德全，并杀害了其全家老小。罗玉深爱着关宁，而关宁心中念念不忘的却是弃他而去的水云，这让罗玉妒火中烧，时时想对其除之而后快。真汉子王二刀（赵燕郭彰 饰）对关宁忠心耿耿，他因不愿兄弟间为贪国宝内斗撕杀，主动替主出头，不料却命丧黄泉…

幸运日

故事聚焦一位有前科者，他被克里斯平·格洛弗扮演的变态杀手所追踪。